The Case Against Today’s Rock

When Slash and Myles Kennedy released Apocalyptic Love this year, it should have been the rock version of Watch the Throne. It had Slash’s signature guitar licks and it had Myles Kennedy’s penetrating vocals, the best union of head-banging talent since Audioslave. Yet, the album left me unfulfilled, as if I had heard this beforeContinue reading “The Case Against Today’s Rock”